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10
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db391513c77e65a04d8108dde11a1055
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Artist
Nicholas R. Brewer
(1857-1949)
Born in High Forest, Olmstead County, MN
Died in St. Paul, MN
Title
<em>Autumn Echoes</em>
Date
ca. 1920
Description
describe the object
This landscape painting by Nicholas Brewer of a cliff and river. There is a white building at the top of the cliff. Trees frame the foreground.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Painting
Medium
Oil on canvas
Dimension
The size of the object. For a still image, record the height and width in inches and in the following order: height, followed by an x, then width followed by "inches" (i.e. height x width inches). All dimensions should be listed as fractions!
For a physical object, record the height, width, and depth in inches and in the following order: height, followed by an x, then width, followed by an x, then depth followed by "inches" (i.e. height x width x depth inches). All dimensions should be listed as fractions!
38 x 53 x 2 inches (Frame)
32 x 47 inches
Credit Line
Write as follows: purchase/gift, entity that provided the money/artworks (example: 'Purchase, Acquisition Fund'
Purchase, Acquisition Fund
Object ID
2001.02
Inscriptions
Inscribe any words, names or phrases that have been written, engraved or etched onto the object. Indicate where on the object the inscription is located using one of the following abbreviations: l.l. (lower left), l.r. (lower right), l.c. (lower center), u.l. (upper left), u.r. (upper right), u.c. (upper center). If the inscription appears in the middle of the object write out 'middle left/center/right.' Begin with the location then the inscription exactly as it appears on the object. Be sure to follow the location with a colon. For example 'l.r.: Patrick DesJarlait 1961.' If the inscription appears on the back of the work, write verso then the location colon inscription.
l.r.: N.R. Brewer; Verso: Autumn Echos, R. No. 103
Rights Statement
No Copyright - United States
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Creator
An entity primarily responsible for making the resource
Nicholas R. Brewer
Title
A name given to the resource
<em>Autumn Echoes</em>
Date Created
Date of creation of the resource.
ca. 1920
Medium
The material or physical carrier of the resource.
Oil on canvas
Source
A related resource from which the described resource is derived
2001.02
Type
The nature or genre of the resource
Painting
Rights
Information about rights held in and over the resource
No Copyright - United States
Rights Holder
A person or organization owning or managing rights over the resource.
Public Domain
License
A legal document giving official permission to do something with the resource.
No License
Date Copyrighted
Date of copyright.
1920
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
[Vern Carver Beard Art Galleries, Minneapolis, MN]
Contributor
An entity responsible for making contributions to the resource
Minnesota Museum of American Art
Autumn
Fall
Landscape
Minnesota artist
Nicholas R. Brewer
Oil
Painting
River
Rural landscape
Trees
Twentieth Century
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ad3656558a34b1873edb4bc8ca589830
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Object ID
87.17.3
Title
<em>Autumn Dusk, Red Rock Variation: Lake Superior Landscape</em>
Date
1986
Artist
George Morrison
1919-2000
Born in Chippewa City, MN
Died in Grand Marais, MN
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Painting
Medium
Acrylic on board
Dimension
The size of the object. For a still image, record the height and width in inches and in the following order: height, followed by an x, then width followed by "inches" (i.e. height x width inches). All dimensions should be listed as fractions!
For a physical object, record the height, width, and depth in inches and in the following order: height, followed by an x, then width, followed by an x, then depth followed by "inches" (i.e. height x width x depth inches). All dimensions should be listed as fractions!
6 x 11 inches
Description
describe the object
In this painted landscape, George Morrison used layered brushstrokes, subdued colors, and textures to depict the shores of Lake Superior during the autumn season. The top third of the work is painted with gray and light blue pigment while the lower portion is covered with overlapping strokes of green, orange, purple, and blue. The painting is divided by a horizon line a third from the top.
Exhibition Label
Copy the most recent text made for a exhibition didactic label
Using layers of broken brushstrokes and subdued colors, Morrison captured the somber qualities of autumn in this small acrylic. Reserved and intimate, <em>Autumn Dusk</em> has the capacity to mesmerize the thoughtful viewer and poetically shows how Lake Superior can change from hour to hour and season to season.
Credit Line
Write as follows: purchase/gift, entity that provided the money/artworks (example: 'Purchase, Acquisition Fund'
Purchase, Acquisition Fund
Rights Statement
In Copyright
Inscriptions
Inscribe any words, names or phrases that have been written, engraved or etched onto the object. Indicate where on the object the inscription is located using one of the following abbreviations: l.l. (lower left), l.r. (lower right), l.c. (lower center), u.l. (upper left), u.r. (upper right), u.c. (upper center). If the inscription appears in the middle of the object write out 'middle left/center/right.' Begin with the location then the inscription exactly as it appears on the object. Be sure to follow the location with a colon. For example 'l.r.: Patrick DesJarlait 1961.' If the inscription appears on the back of the work, write verso then the location colon inscription.
Verso u.l.: Autumn Dusk. Red Rock Variation: Lake Superior Landscape / G. Morrison; Verso l.l.: (up arrow) Top
Publications
Rushing III, W. Jackson, and Makholm, Kristin. <em>Modern Spirit: The Art of George Morrison</em>, 125. University of Oklahoma Press: Norman, 2013.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Autumn Dusk, Red Rock Variation: Lake Superior Landscape</em>
Date Created
Date of creation of the resource.
1986
Creator
An entity primarily responsible for making the resource
George Morrison
Type
The nature or genre of the resource
Painting
Medium
The material or physical carrier of the resource.
Acrylic on board
Source
A related resource from which the described resource is derived
Purchase, Acquisition Fund
87.17.3
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Minnesota Museum of American Art; Purchased from the artist
Contributor
An entity responsible for making contributions to the resource
Minnesota Museum of American Art
Rights
Information about rights held in and over the resource
In Copyright
Rights Holder
A person or organization owning or managing rights over the resource.
Briand Morrison at briand@boreal.org
Date Copyrighted
Date of copyright.
1986
License
A legal document giving official permission to do something with the resource.
No License
Abstract
Autumn
Blue
George Morrison
Grey
Horizon line
Lake Superior
Landscape
Twentieth Century
Water
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11b6567b9eace37ae3fe56997e60af53
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Our Treasures
Contributor
An entity responsible for making contributions to the resource
The Minnesota Museum of American Art
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Object ID
90.26.1
Artist
Jasper Francis Cropsey
1823-1900
Born in Rossville, NY
Died in Hastings-on-Hudson, NY
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Painting
Medium
Oil on canvas
Exhibition Label
Copy the most recent text made for a exhibition didactic label
One of the artists of the Hudson River School, Cropsey often painted scenes of the White Mountains in New Hampshire, as in this moody landscape from 1860. Popularly known as America’s “Painter of Autumn,” he excelled at depicting the colors and textures of fall. In this nostalgic scene, painted at a time when Native Americans were no longer roaming the Northeast mountains, Cropsey hides several Indians in the foliage at the left. One prepares his bow and arrow as he stalks the deer emerging from the river at the right. At least four other Indians have been detected in the dense brush.
Credit Line
Write as follows: purchase/gift, entity that provided the money/artworks (example: 'Purchase, Acquisition Fund'
Purchase, Katharine G. Ordway Fund
Rights Statement
No Copyright - United States
Publications
Wigmore, Spencer. "Jasper Cropsey." In <em>Our Treasures: Highlights from the Minnesota Museum of American Art</em>, edited by Kristin Makholm, 32-33. St. Paul, MN: Minnesota Museum of American Art, 2011.
Title
<em>Stalking Deer</em>
Date
1860
Description
describe the object
Jasper Francis Cropsey’s painting of New Hampshire’s White Mountains depicts several Native American hunters stalking deer. In the lower left corner of the work, Cropsey minimized his figures in contrast to the grand mountain vista, bright fall foliage, and dark rain clouds in the background.
Inscriptions
Inscribe any words, names or phrases that have been written, engraved or etched onto the object. Indicate where on the object the inscription is located using one of the following abbreviations: l.l. (lower left), l.r. (lower right), l.c. (lower center), u.l. (upper left), u.r. (upper right), u.c. (upper center). If the inscription appears in the middle of the object write out 'middle left/center/right.' Begin with the location then the inscription exactly as it appears on the object. Be sure to follow the location with a colon. For example 'l.r.: Patrick DesJarlait 1961.' If the inscription appears on the back of the work, write verso then the location colon inscription.
l.l.: J. F. Cropsey
Dimension
The size of the object. For a still image, record the height and width in inches and in the following order: height, followed by an x, then width followed by "inches" (i.e. height x width inches). All dimensions should be listed as fractions!
For a physical object, record the height, width, and depth in inches and in the following order: height, followed by an x, then width, followed by an x, then depth followed by "inches" (i.e. height x width x depth inches). All dimensions should be listed as fractions!
14 1/8 x 23 1/8 inches
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Stalking Deer</em>
Date Created
Date of creation of the resource.
1860
Creator
An entity primarily responsible for making the resource
Jasper Francis Cropsey
Type
The nature or genre of the resource
Painting
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Minnesota Museum of American Art; Purchased from Taggart and Jorgensen Gallery
Contributor
An entity responsible for making contributions to the resource
Minnesota Museum of American Art
Rights
Information about rights held in and over the resource
No Copyright - United States
Rights Holder
A person or organization owning or managing rights over the resource.
Public Domain
Date Copyrighted
Date of copyright.
1860
License
A legal document giving official permission to do something with the resource.
No License
Medium
The material or physical carrier of the resource.
Oil on canvas
Source
A related resource from which the described resource is derived
Purchase, Katharine G. Ordway Fund
90.26.1
American landscape
Autumn
Clouds
Deer
Fall foliage
Hudson River School
Hunter
Hunting
Jasper Cropsey
Mountains
Native American
Nineteenth Century
Orange
Red
River
Stream
Tree
Water