Browse Items (40 total)

  • Tags: George Morrison

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Frank Big Bear's multi-panel collage consists of one hundred and forty-four 8 1/2 x 6-inch individual colleges. He created each piece by pasting photographic paper on identical postcards from his son, Star Wallowing Bull's art exhibition at the…

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This sculpture by George Morrison is a thin and tall rectangular shape. Each side is decorated with a low relief design that depicts varying sizes of blocks stacked on top of each other. The sculpture has a greenish patina flecked with copper.

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George Morrison created this three-dimensional cube by fitting together wooden pieces shaped in wavy and organic forms. The pieces are finely made and polished creating a finished smooth cube.

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George Morrison based this oval sculpture off of a small stone churinga he saw at the Minneapolis Institute of Arts. He formed the structure by combining two pieces of carved wood and placed it on a block of black marble.

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George Morrison created this abstract illustration of Lake Superior as part of a group of four acrylic and pastel drawings. Using gestural strokes of chalk and paint to compose the landscape, Morrison colored the top quarter of the work with muted…

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Created for a show at St. Paul's Minnesota Museum of Art and Duluth's Tweed Gallery, George Morrison's landscape of Lake Superior is part of a group of four drawings. Similar to the other three in the series, the work is colored with a minimal…

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George Morrison created this nocturne landscape of Lake Superior by combining pastels with acrylic paint. One in a series of four, the pastel is nearly monochromatic in color. A horizon line is visible a quarter of the way down from the top, while a…

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One in a series of four pastel drawings by George Morrison, this abstract landscape of Lake Superior is covered in layers of green and orange colors and dusted with purple pastels. A horizontal line is drawn across the page a quarter of the way down…

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In this drawing George Morrison sketched four sculptures of Hindu yonilinga that are at the Musée Guimet in Paris and in Southern India. In this sketch he inscribes a definition of a yonilinga and records the location of each sculpture.

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In this sketch George Morrison drew a sky chart that appeared in the New York Times on August 12, 1984. Morrison included notes at the top and bottom of the page as well as a drawing of three planets that appeared next to three constellations.