1 10 3 https://d1y502jg6fpugt.cloudfront.net/25342/archive/files/2e695cbd1b405de500361d326662175f.jpg?Expires=1774483200&Signature=jm1GuCCQlRzL36ZKYs96Ql7z54nFXt2ttHlvN-L47QX0bybApSHv69nbZDA6SPrli3AXyrD48%7EsvVial-UY%7ED1iizO1liah7OOA1prfaZKb65ViB7PAMJWqXRR%7EoE8TA8T%7EAqWA8jhQjjSThw27JRP4QQKCsYqNcA%7EuUQda14szQ5BZIdsc7iTG2sacoRFC9hnmmXCkztrhtVdiKFzpZdSk7bg9bGGH9OPzcZvuSKodjociaJgPkbpiLxcPO4EU%7E9jSFgUKnzT9Hh1tcdJSPhWMaNGvWC0b8rFn8djkeMOq4lf8f6ZZ5Ioc2CDlvzRUgjCDRTzMvKWcuH46dn0CGpA__&Key-Pair-Id=K6UGZS9ZTDSZM 8b4a22e3e91500b7114bc175eae2c66d Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Object ID 92.17.3 Title Goats Under a Flowering Tree Date 1925 Artist Clement Bernard Haupers 1900-1982 Born in St. Paul, MN Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Painting Medium Oil on canvas Dimension The size of the object. For a still image, record the height and width in inches and in the following order: height, followed by an x, then width followed by "inches" (i.e. height x width inches). All dimensions should be listed as fractions! For a physical object, record the height, width, and depth in inches and in the following order: height, followed by an x, then width, followed by an x, then depth followed by "inches" (i.e. height x width x depth inches). All dimensions should be listed as fractions! 27 1/8 x 33 inches Description describe the object This rural landscape by Clement Bernard Haupers reveals a trip of goats grazing along a dirt road underneath several trees. Two of the trees featured are covered with white foliage and take a prominent position in the center of the painting. On the far right, a group of people sit on the grass under a tree. A row of green trees fills the middle ground, while, at the top of the composition, an orange colored field recedes into the distance. Credit Line Write as follows: purchase/gift, entity that provided the money/artworks (example: 'Purchase, Acquisition Fund' Gift of Mr. and Mrs. John R. Savage Rights Statement In Copyright Inscriptions Inscribe any words, names or phrases that have been written, engraved or etched onto the object. Indicate where on the object the inscription is located using one of the following abbreviations: l.l. (lower left), l.r. (lower right), l.c. (lower center), u.l. (upper left), u.r. (upper right), u.c. (upper center). If the inscription appears in the middle of the object write out 'middle left/center/right.' Begin with the location then the inscription exactly as it appears on the object. Be sure to follow the location with a colon. For example 'l.r.: Patrick DesJarlait 1961.' If the inscription appears on the back of the work, write verso then the location colon inscription. l.r.: Clement B. Haupers, (Algers?), 1925 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Goats Under a Flowering Tree Date Created Date of creation of the resource. 1925 Creator An entity primarily responsible for making the resource Clement Bernard Haupers Type The nature or genre of the resource Painting Medium The material or physical carrier of the resource. Oil on canvas Source A related resource from which the described resource is derived Gift of Mr. and Mrs. John R. Savage 92.17.3 Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Mr. and Mrs. John R. Savage, Two Harbors, MN; given as gift to the M in 1992 Rights Information about rights held in and over the resource In Copyright Rights Holder A person or organization owning or managing rights over the resource. Unknown Date Copyrighted Date of copyright. 1925 License A legal document giving official permission to do something with the resource. No License Animals Clement Haupers Goats Landscape Minnesota artist Painting People Trees Twentieth Century Women https://d1y502jg6fpugt.cloudfront.net/25342/archive/files/14c43318a4f7c9902ef72644f4991aa8.jpg?Expires=1774483200&Signature=G-AzQSTsRjM6-RISLlL4JAnfwZa42ypQ1X2pzVwF41WvXHtLx4x78j7fOePGIeJQKuG6MS07-qoWqvc9N6tfczq4fPno41NB3RqYcdLXF8cfmRpeICj2DRkav989Itgqja7VpWEyX7g5i4PvzRW7KRATKbLABg36KUV5zW7hiG53rTi2quDY8s8OU9WxbaPhsnvthLDN2KzA1VShOD4AIQwKqemT6J2thFvhM6SPX3PdBcZxy1tRyaooVAYMr3NRpEGCARhHEvcFAaW761Cq12PLOm%7E3wid-XljuuVSbSHjXIeAxwR0PL2ijXz3dIs%7E-QF6WJ9WCLB-EoD3pNrsmRw__&Key-Pair-Id=K6UGZS9ZTDSZM eea6449df7e902b98fc5176cb0e3a9ce Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Object ID 92.17.1 Title Arabs by the Sea Date 1925 Artist Clement Bernard Haupers 1900-1982 Born in St. Paul, MN Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Painting Medium Oil on masonite Dimension The size of the object. For a still image, record the height and width in inches and in the following order: height, followed by an x, then width followed by "inches" (i.e. height x width inches). All dimensions should be listed as fractions! For a physical object, record the height, width, and depth in inches and in the following order: height, followed by an x, then width, followed by an x, then depth followed by "inches" (i.e. height x width x depth inches). All dimensions should be listed as fractions! 19 5/8 x 23 5/8 inches Description describe the object This oil painting by Clement Bernard Haupers features five figures lounging on a grassy hill by the sea. In the center of the work, three of the five figures are seated while the other two stand off to the right and left. They wear a long white robe and have their heads covered. The central figure wears a red hat (possibly a tarboosh). Five goats accompany the group. Underneath a clouded blue sky, a mountain range fills the background, separated from the figures by a body of still blue water. Credit Line Write as follows: purchase/gift, entity that provided the money/artworks (example: 'Purchase, Acquisition Fund' Gift of Mr. and Mrs. John R. Savage Rights Statement In Copyright Inscriptions Inscribe any words, names or phrases that have been written, engraved or etched onto the object. Indicate where on the object the inscription is located using one of the following abbreviations: l.l. (lower left), l.r. (lower right), l.c. (lower center), u.l. (upper left), u.r. (upper right), u.c. (upper center). If the inscription appears in the middle of the object write out 'middle left/center/right.' Begin with the location then the inscription exactly as it appears on the object. Be sure to follow the location with a colon. For example 'l.r.: Patrick DesJarlait 1961.' If the inscription appears on the back of the work, write verso then the location colon inscription. l.l.: CLEMENT-B HAUPERS Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Arabs by the Sea Date Created Date of creation of the resource. 1925 Creator An entity primarily responsible for making the resource Clement Bernard Haupers Type The nature or genre of the resource Painting Medium The material or physical carrier of the resource. Oil on masonite Source A related resource from which the described resource is derived Gift of Mr. and Mrs. John R. Savage 92.17.1 Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Mr. and Mrs. John R. Savage, Two Harbors, MN; given as gift to the M in 1992 Rights Information about rights held in and over the resource In Copyright Rights Holder A person or organization owning or managing rights over the resource. Unknown Date Copyrighted Date of copyright. 1925 License A legal document giving official permission to do something with the resource. No License Animals Clement Haupers Goats Landscape Men Minnesota artist Mountains Painting People Trees Twentieth Century Water Woman https://d1y502jg6fpugt.cloudfront.net/25342/archive/files/d5af14085b05a8549c6d46fd812589a5.jpg?Expires=1774483200&Signature=McYoa-E40YDnYKtxpzfE1Fbw3RGewn2NH4c7fiEAaSQfq928C8mHGgeqwZzLaWbKXOsknzN5o0mchlZewj6AsSz2ReiVcISqvZMu3fUByXWxrt3bO1hlhMZfvGihhuHuOmZcB4%7EdT%7E%7EfYvuoL5iMSyWsURPlVKEym9oYjyUS3zdBhmPb7Fmlv7FD6ujzBVkHeoeAp9nxiuU7YATuwxWf0U16-wvYr4qHiLJTFIerHKsLV2WBXhtki9%7Ebazub9S6rgGknDoPhBr6UUoOi82%7EFuc3BagMvEjE11DH8bImcOnBnSfrfHpYC6cmO860sqO8-CTLzAcrD1H5fGylv9-9P-A__&Key-Pair-Id=K6UGZS9ZTDSZM 947b6c22dbc2b9552b1a207670b9bf8b Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Object ID 80.08.01 Title Study for History of Communications Mural Date 1939 Artist Stuart Davis 1892-1964 Born in Philadelphia, PA Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Drawing Medium Ink on paper Dimension The size of the object. For a still image, record the height and width in inches and in the following order: height, followed by an x, then width followed by "inches" (i.e. height x width inches). All dimensions should be listed as fractions! For a physical object, record the height, width, and depth in inches and in the following order: height, followed by an x, then width, followed by an x, then depth followed by "inches" (i.e. height x width x depth inches). All dimensions should be listed as fractions! 14 15/16 x 34 inches Description describe the object Stuart Davis' preliminary study for his History of Communications mural features illustrations related to methods of communication, including speech, text, film, television, and radio. Commissioned for the 1939 World's Fair, Davis blanketed his composition with objects strewn all over and overlapping and drawn in black bold lines on a white background. None of these singular images stand above the other in size, value, or position. Charting the progression of communication in America, in the lower right the images include letters, a male messenger, sign language for writing, a large hand, in the center a phonograph, telephone wires, a mailed letter, and on the left newspaper, a microphone, television camera, and a roll of film. Credit Line Write as follows: purchase/gift, entity that provided the money/artworks (example: 'Purchase, Acquisition Fund' Purchase, Acquisition Fund Rights Statement In Copyright Inscriptions Inscribe any words, names or phrases that have been written, engraved or etched onto the object. Indicate where on the object the inscription is located using one of the following abbreviations: l.l. (lower left), l.r. (lower right), l.c. (lower center), u.l. (upper left), u.r. (upper right), u.c. (upper center). If the inscription appears in the middle of the object write out 'middle left/center/right.' Begin with the location then the inscription exactly as it appears on the object. Be sure to follow the location with a colon. For example 'l.r.: Patrick DesJarlait 1961.' If the inscription appears on the back of the work, write verso then the location colon inscription. l.r.: Stuart Davis 1939 Notes Include any additional information pertaining to the object. Davis created four murals in the 1930s. The largest and most complex of these murals was the Communications Mural, which was privately commissioned for the 1939 World's Fair. The mural was designed for the Communications Pavilion and was later destroyed when the fair was dismantled. The original measured 44 feet high and 136 feet long. Davis' concept involved painting with white luminescent lines on a black background. The study featured here illustrates the mural in reverse, with black lines on a white background. Davis wrote over twenty pages of theoretical notations regarding the imagery of the mural. "My purpose is to make a work of Art, made of spatial elements associated with Communications [...] to be simple and easy to remember. Its tone-element is limited to white on black." According to his notations, the range of subjects organized across the mural included speech and language, writing and printing, drawing and painting, camera and motion picture, television and the telegraph, song and music, telephone and the radio, and the phonograph. Publications Kammen, Michael. Gilbert Seldes and the Transformation of Culture of Criticism in the United States, 4. New York, NY: Oxford University Press, 1996. Rasmussen, David. Reading Habermas, cover. Oxford, UK: Basil Blackwell, 1990. Wilken, Karen. Stuart Davis, 152. Cross River Press, 1987. Wilson, Richard Guy. The Machine Age in America 1918-1941, 30. Brooklyn, NY: The Brooklyn Museum, 1986. Weber, Bruce. Stuart Davis' New York, 68. West Palm Beach, FL: Norton Gallery & School of Art, 1985. Holman, Thomas S. American Style: Early Modernist Works in Minnesota Collections, cover and 49. St. Paul, MN: Minnesota Museum of Art, 1981. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Study for History of Communications Mural Date Created Date of creation of the resource. 1939 Creator An entity primarily responsible for making the resource Stuart Davis Type The nature or genre of the resource Drawing Medium The material or physical carrier of the resource. Ink on paper Source A related resource from which the described resource is derived Purchase, Acquisition Fund 80.08.01 Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Grace Borgenicht Gallery, Inc., New York City, NY; purchased by the M in 1980 Rights Information about rights held in and over the resource In Copyright Rights Holder A person or organization owning or managing rights over the resource. Estate of Stuart Davis VAGA 111 Broadway, Suite 1006 New York, NY 10006 (212) 736-6666 info@vagarights.com Date Copyrighted Date of copyright. 1939 License A legal document giving official permission to do something with the resource. No License Bird Camera Drawing Film Hand Ink Microphone Newspaper People Phonograph Public art Stuart Davis Study Telephone wire Text Twentieth Century World's Fair '39