1 10 3 https://d1y502jg6fpugt.cloudfront.net/25342/archive/files/e71828d1c0fd4ca0b6c1f54dfbd2092b.jpg?Expires=1777507200&Signature=mDWEd1jkNZJ2D4Vh4Ct1aJ9taLFaAKojh-2k8rZwZB50CakTRkKqedBptQbUwNuSsPDg8zZEhMA3oTSq2YXCgRSV5ZWx0QpSVbkmOLMH17AFX8mB4mKqQnCJWscJLAzshf4gmZ-DLDziovp8m-infbQElEVF4EDgELq9lBZQzLPyekyAaLaMfJJBwuoKNcBnGqlXnNqEe7iCoF9hx6Y5KGCXxybRwzr-xRasT%7Elvp4R1aa4qxBBPwUtP1dX4eTazfhRt8HwrBy1MkOa0NlactzQO7cv0ZBnk5oa2gcH0iWRMuECIVm6S%7EbFwvQNqn6KO5kmuJqm7ThaJPvpn7VWnkA__&Key-Pair-Id=K6UGZS9ZTDSZM 97bdddcdcb1f57db274f8362f4ad189e Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Artist John Anderson 1923-1971 Born in Mankato, MN Died in Battle Lake, MN Title DADA Plus One Rosenquist (or #1 DADA) Date 1966 Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Painting Medium Oil and collage on panel Dimension The size of the object. For a still image, record the height and width in inches and in the following order: height, followed by an x, then width followed by "inches" (i.e. height x width inches). All dimensions should be listed as fractions! For a physical object, record the height, width, and depth in inches and in the following order: height, followed by an x, then width, followed by an x, then depth followed by "inches" (i.e. height x width x depth inches). All dimensions should be listed as fractions! 36 1/2 x 48 1/2 inches (Frame) 36 x 48 inches Credit Line Write as follows: purchase/gift, entity that provided the money/artworks (example: 'Purchase, Acquisition Fund' Gift of Thomas J. Arneson Object ID 2016.15.02 Rights Statement In Copyright Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource John Anderson Title A name given to the resource DADA Plus One Rosenquist (or #1 DADA) Date Created Date of creation of the resource. 1966 Medium The material or physical carrier of the resource. Oil and collage on panel Source A related resource from which the described resource is derived 2016.15.02 Type The nature or genre of the resource Painting Rights Information about rights held in and over the resource In Copyright Rights Holder A person or organization owning or managing rights over the resource. Rights Unknown License A legal document giving official permission to do something with the resource. No License Date Copyrighted Date of copyright. 1966 Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. [Mac and Louise Walker McCannel]; Tom Arneson, Minneapolis, MN (purchased from the Kramer Galleries, St. Paul, MN); given as gift to the M in 2016 Collage James Rosenquist John Anderson John E. Anderson Logo Minnesota artist Oil Painting Pop Art Text Twentieth Century https://d1y502jg6fpugt.cloudfront.net/25342/archive/files/65f952569074cb91a147237dca19adf8.jpg?Expires=1777507200&Signature=CiDrLIMMzRUWHyprGSQvbHC2DBhTmxfBAWn-mZZqewXH0VPkpKNTJd5blwHCLBe%7EXXy5v09%7E4Z81VB1KZElVvazmTQCNaCN3NLW6xs%7EWOu0mBB8tk0597J4kGr6z1VoCX1DpLe4h2r2uc-3jtoHaD%7EgUwHFoU8ZLvvQB0RHyEAnspcduSG4RecJGmPFN7HFxCB1q10eOFjolawRMDXy%7ErpdhkjyNQrOmXZnhzsXRGI3SD2w163fBRNxtgheDWxsvYoscvm3dvQNVljfOX-8VY7vdygr4PAhpDWQMLl36XxcpLH5HLtub7HOJSNVU14yfYg-0qgUFJM6ywul3cDxI0g__&Key-Pair-Id=K6UGZS9ZTDSZM 9775f4ea36e2f1af4c6379cd339634e8 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Object ID 64.13.01 Title Medal of Honor Date 1964 Artist Christian Schmidt 1926-1974 Born in Minneapolis, MN Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Jewelry Medium Metals, semi-precious stones, and cameo Dimension The size of the object. For a still image, record the height and width in inches and in the following order: height, followed by an x, then width followed by "inches" (i.e. height x width inches). All dimensions should be listed as fractions! For a physical object, record the height, width, and depth in inches and in the following order: height, followed by an x, then width, followed by an x, then depth followed by "inches" (i.e. height x width x depth inches). All dimensions should be listed as fractions! 20 3/8 x 3 3/8 x 1 inches Description describe the object Christian Schmidt used found objects to craft this piece of jewelry. The medal is comprised of a pendant and chain. Schmidt composed the pendant with a homemade sheriff's star set in the center of a rusted fly-fishing reel. An arch of intertwined copper wire is attached to the top of the reel. The inscription on the front of the sheriff star reads "Sheriff Mark" and is partially covered by a traditional cameo the artist secured to the star with a cylindrical piece of metal. A red, white, and yellow glass bead dangles from the base of the pendant. Schmidt bound two rough turquoise stones to the arch atop the fishing reel with iron binding wire. He used a thin piece of metal wiring to hang a green rounded object from the arch. This miniature object looks like a petrified insect shell. The entire pendant is suspended from a copper chain made by Schmidt's six-year old son (source: object file) Credit Line Write as follows: purchase/gift, entity that provided the money/artworks (example: 'Purchase, Acquisition Fund' Purchase, Acquisition Fund, FCM '64 Rights Statement In Copyright Notes Include any additional information pertaining to the object. Christian Schmidt was a juror at the St. Paul Gallery and School of Art Fiber/Clay/Metal show in 1964. Upset with the lack of consistent evaluation standards, the artist created what he referred to as the "worst piece of jewelry he could imagine." He entered Medal of Honor in the show under the name Abraham Isitshit. Much to Schmidt consternation the work was accepted into the show as a piece of satirical Pop Art. Publications Fiber/Clay/Metal. Seventh Biennial, USA 1964, St. Paul, MN: St. Paul Art Center, 1964, cat. no.1 (under the name: Abraham), p. 2-3, b/w illus. p. 2. Hastie, W. Reid and Christian Schmidt. Encounter with Art, p. 25-26. New York City, NY: McGraw-Hill, 1969. Ilse-Neuman, Ursula. "A Community Emerges: The American Studio Jewelry Movement, 1945-1969." In Crafting Modernism; Midcentury American Art and Design, p. 213, illus. color. New York, NY: Museum of Art and Design, 2011. Koplos, Janet and Bruce Metcalf. Makers: A History of American Studio Craft, p. 258, illus. color. Chapel Hill, NC: The University of North Carolina Press, 2010. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medal of Honor Date Created Date of creation of the resource. 1964 Creator An entity primarily responsible for making the resource Christian Schmidt Type The nature or genre of the resource Craft Medium The material or physical carrier of the resource. Metals, semi-precious stones, and cameo Source A related resource from which the described resource is derived Purchase, Acquisition Fund, FCM '64 64.13.01 Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. [Fiber/Clay/Metal 1964] Rights Information about rights held in and over the resource In Copyright Rights Holder A person or organization owning or managing rights over the resource. Unknown Date Copyrighted Date of copyright. 1964 License A legal document giving official permission to do something with the resource. No License Contributor An entity responsible for making contributions to the resource Minnesota Museum of American Art Christian Schmidt Craft Fiber/Clay/Metal Found objects Jewelry Minnesota artist Pop Art Satire St. Paul Gallery and School of Art Twentieth Century https://d1y502jg6fpugt.cloudfront.net/25342/archive/files/437b8ae71d6e2f0883e0416ba8c111c9.jpg?Expires=1777507200&Signature=DIGSS7PiCBPACVwUIB74YWZ3XmWGFw563uc7vJFWBvjOX6reHvMkE4NYT1wLN1t4QJn9F5Qpd-y--UqMrMqdLHySOvJJ-HL%7E8f0YsrH77NWymDd38kRxNVvmpN8h5TSdzxpi110fV5TG2kGASRsQDBk-4stoqGfUjpw2tfZrnOmQ0RGTmU4KPgA3Fsaerb1WC2eRqlfIocQvWjVf2FAQJCQWxLs1aEAEHO9tU5x5vdDu6-IMifY6jlDkacd7pLWB%7EVB-KcrbvdzgKy%7EMgblTgT3LNDhy66dMOyXxgwbmxuQtE4CLes-W%7EU4Kt9WllgN4xHLCy4xhgW%7ElEAT4-zaGfw__&Key-Pair-Id=K6UGZS9ZTDSZM 134d8c68f499ba5f3dd600a4eb575706 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Our Treasures Contributor An entity responsible for making contributions to the resource The Minnesota Museum of American Art Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Object ID 71.05.36 Artist Ed Ruscha b. 1937 Born in Omaha, NE Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Drawing Medium Pastel and gunpowder on paper Exhibition Label Copy the most recent text made for a exhibition didactic label A major voice to emerge in American art during the early 1960s, Ed Ruscha was a pioneer in the development of a West Coast brand of pop art and an early practitioner of conceptual art. He first gained attention for paintings that contained single words that referenced the world of commercial culture. Business is one of a group of drawings in which Ruscha rendered his letters as if they had been fashioned from folded strips of paper, here as if unfurled from a spool of adding machine tape. Working in pastel and gunpowder, a medium he preferred over graphite, Ruscha creates a composition that recalls both the proportions of a cinema screen and the notion of the landscape—in this case, a burnt-orange, Technicolor sunset. Business was acquired in 1971 through one of the Minnesota Museum of American Art’s ambitious Drawings USA exhibitions, installed biannually from 1961 to 1976. Credit Line Write as follows: purchase/gift, entity that provided the money/artworks (example: 'Purchase, Acquisition Fund' Purchase, Acquisition Fund, Drawings USA Rights Statement In Copyright Publications Engberg, Siri. "Ed Ruscha." In Our Treasures: Highlights from the Minnesota Museum of American Art, edited by Kristin Makholm, 70-71. St. Paul, MN: Minnesota Museum of American Art, 2011. Title Business Date 1970 Description describe the object This drawing by Ed Ruscha depicts the word "Business" in white lettering near the top of a solid background of burnt-orange. Using pastel and gunpowder, Ruscha rendered his letterforms to look three-dimensional, as though they were fashioned from adding machine paper. Dimension The size of the object. For a still image, record the height and width in inches and in the following order: height, followed by an x, then width followed by "inches" (i.e. height x width inches). All dimensions should be listed as fractions! For a physical object, record the height, width, and depth in inches and in the following order: height, followed by an x, then width, followed by an x, then depth followed by "inches" (i.e. height x width x depth inches). All dimensions should be listed as fractions! 11 1/2 x 29 inches Inscriptions Inscribe any words, names or phrases that have been written, engraved or etched onto the object. Indicate where on the object the inscription is located using one of the following abbreviations: l.l. (lower left), l.r. (lower right), l.c. (lower center), u.l. (upper left), u.r. (upper right), u.c. (upper center). If the inscription appears in the middle of the object write out 'middle left/center/right.' Begin with the location then the inscription exactly as it appears on the object. Be sure to follow the location with a colon. For example 'l.r.: Patrick DesJarlait 1961.' If the inscription appears on the back of the work, write verso then the location colon inscription. l.l. E. Ruscha, 1970 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Business Date Created Date of creation of the resource. 1970 Creator An entity primarily responsible for making the resource Edward Ruscha Type The nature or genre of the resource Drawing Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Minnesota Museum of American Art; Purchased from Locksley/Shea Gallery; The artist Contributor An entity responsible for making contributions to the resource Minnesota Museum of American Art Rights Information about rights held in and over the resource In Copyright Rights Holder A person or organization owning or managing rights over the resource. Edward Ruscha Date Copyrighted Date of copyright. 1970 License A legal document giving official permission to do something with the resource. No License Medium The material or physical carrier of the resource. Pastel and gunpowder on paper Source A related resource from which the described resource is derived Purchase, Acquisition Fund, Drawings USA 71.05.36 Conceptual Art Ed Ruscha Letterforms Orange Paper Pop Art Text Twentieth Century White