1 10 2 https://d1y502jg6fpugt.cloudfront.net/25342/archive/files/4e2a9adb32d770b5e8ac33c2ea039ef5.jpg?Expires=1774483200&Signature=nytf8NbBYxqk-xuLlUJ4IYDGJAi3PsZWFH4qxM4zLsjTUomRCnN0VchURWVnzhZOJWDrURi0mBUGAoHi3dUHoIneDF0nw8gaKXrQBre2m8gq6A20kBwAz9dPMfyR96e-4IxrifCrF78bjzSfgjIqjTFxzW43EyiLeRrlnaXA6J7VJ3hJbuBDJVIbrgqDbyVFbxw%7ERn9niDxgATXYBUTfmqDK0mIwmr92Yf5rfKd0BOOJFS9AFGnC40RGaIW9O5RAWv8bb0UfdE2cwYprBefOuBa62bNhcM96be8U10rMyKuakTdhHWncekcpL6Y4HRhZ%7ETkIPaXkW1bDD8gPlpD1OA__&Key-Pair-Id=K6UGZS9ZTDSZM b05f6531ce16f4d7a9a3626508176280 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Object ID 2001.01.01c Title A Cabinet for all Seasons (Spring) Date 1974 Artist Miriam Schapiro 1923-2015 Born in Toronto, Ontario, Canada Died in Hampton Bays, Southampton, NY Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Collage Medium Acrylic and fabric on canvas Dimension The size of the object. For a still image, record the height and width in inches and in the following order: height, followed by an x, then width followed by "inches" (i.e. height x width inches). All dimensions should be listed as fractions! For a physical object, record the height, width, and depth in inches and in the following order: height, followed by an x, then width, followed by an x, then depth followed by "inches" (i.e. height x width x depth inches). All dimensions should be listed as fractions! 70 x 40 inches Description describe the object In order to represent the season of spring, Miriam Schapiro chose yellow as the dominant color scheme for this abstract collage. One in a series of four collages, this arched canvas is covered with flowers printed on pieces of fabric as well as a pattern of yellow and light green diamond shapes. In the center of the work is a cabinet with three shelves. Credit Line Write as follows: purchase/gift, entity that provided the money/artworks (example: 'Purchase, Acquisition Fund' Purchase, Acquisition Fund Rights Statement In Copyright Publications Gouma-Peterson, Thalia. Miriam Schapiro; Shaping the Fragments of Art and Line, p. 74, color illus. p. 77. New York, NY: Harry N. Abrams, Inc., 1999. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Cabinet for all Seasons (Spring) Date Created Date of creation of the resource. 1974 Creator An entity primarily responsible for making the resource Miriam Schapiro Type The nature or genre of the resource Painting Medium The material or physical carrier of the resource. Acrylic and fabric on canvas Source A related resource from which the described resource is derived Purchase, Acquisition Fund 2001.01.01c Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Collection of Miriam Schapiro, Wainscott, NY Rights Information about rights held in and over the resource In Copyright Rights Holder A person or organization owning or managing rights over the resource. The Estate of Miriam Schapiro, Artists Rights Society (ARS), New York, NY Date Copyrighted Date of copyright. 1974 License A legal document giving official permission to do something with the resource. No License Contributor An entity responsible for making contributions to the resource Minnesota Museum of American Art Abstract Collage Fabric Feminist Art Flowers Miriam Schapiro Seasons Spring Twentieth Century Yellow https://d1y502jg6fpugt.cloudfront.net/25342/archive/files/5eb347f399a106cf1bd586004fe66ed7.jpg?Expires=1774483200&Signature=GnPvuDzrntoChsng63%7E-cXNsoGtLGtEWTWqn1n1Z6YBQSl0ja9i4WFxA85Ltbxn11vsVkB9XUvjcB%7Eda9UCh-lMhJcD6HYkhHSsAv7SF8eM6WEsYRD153nGt5Dl%7E0wsglRI9KSS22DzTXmfdaDMrp-tUzfoE0KUnUxSZdCI7JsItBi%7Eja7zNfitbeTULJj6KO0HtvAKYLzK4YvuzZQ6whKU-OD3HtqUdAJhONJLCUVVclKCv-v-xy5zHSq34PBjvybs78kcIIMyxZ13OwdPfflgRxJKcGX6Z0-zw1HrixbPByvl5r5Y25FCgTvDE24OdSgNbStxFL6PbgmHWPGXCng__&Key-Pair-Id=K6UGZS9ZTDSZM e75d55bc2851a89e17bba678154f9d0f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Our Treasures Contributor An entity responsible for making contributions to the resource The Minnesota Museum of American Art Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Object ID 90.1.1 Artist Charles E. Burchfield 1893-1967 Born in Ashtabula Harbor, OH Died in West Seneca, NY Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Painting Medium Watercolor and gouache on paper Exhibition Label Copy the most recent text made for a exhibition didactic label Charles Burchfield created this fresh and animated work in 1917, a time he called his “golden year” when he lived as a 24-year-old in his hometown of Salem, Ohio. Working as a clerk in a local sheet metal factory, he would walk to and from work, exploring the landscape for ideas for his artwork. He captured the hazy quality of spring light in this backyard through the application of white gouache, which stands out against the buff colored paper. The darkness, or “lowering” of the day, is noted in the relatively somber palette of colors, punctuated only sparingly with flashes of yellow and blue. Credit Line Write as follows: purchase/gift, entity that provided the money/artworks (example: 'Purchase, Acquisition Fund' Purchase, Kurt Berger Fund Rights Statement In Copyright Inscriptions Inscribe any words, names or phrases that have been written, engraved or etched onto the object. Indicate where on the object the inscription is located using one of the following abbreviations: l.l. (lower left), l.r. (lower right), l.c. (lower center), u.l. (upper left), u.r. (upper right), u.c. (upper center). If the inscription appears in the middle of the object write out 'middle left/center/right.' Begin with the location then the inscription exactly as it appears on the object. Be sure to follow the location with a colon. For example 'l.r.: Patrick DesJarlait 1961.' If the inscription appears on the back of the work, write verso then the location colon inscription. l.l.: Chas Burchfield 1917; Verso: Empty Barn and Sheds May 6, 1917 A misty, hovering day in spring, in an alley/A strange white light hovers around the edges of all objects. Publications Michaux, Lisa Dickinson. "Charles E. Burchfield." In Our Treasures: Highlights from the Minnesota Museum of American Art, edited by Kristin Makholm, 28-29. St. Paul, MN: Minnesota Museum of American Art, 2011. Trovato, Joseph S. Charles Burchfield, Catalogue of Paintings in Public and Private Collections, no. 299 (1970): 60. Title Empty Barn and Sheds Date 1917 Description describe the object Charles Burchfield painted this scene of a backyard alley while living in his hometown of Salem, OH. He outlines the barren tree in the center, the hollowed barn on the right, and shed on the left in white gouache. Burchfield used blues and browns to paint the tree and barn. The background is filled with greys and blues while the ground and shed are painted with shades of yellow and beige. Dimension The size of the object. For a still image, record the height and width in inches and in the following order: height, followed by an x, then width followed by "inches" (i.e. height x width inches). All dimensions should be listed as fractions! For a physical object, record the height, width, and depth in inches and in the following order: height, followed by an x, then width, followed by an x, then depth followed by "inches" (i.e. height x width x depth inches). All dimensions should be listed as fractions! 20 1/4 x 18 1/8 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Empty Barn and Sheds Date Created Date of creation of the resource. 1917 Creator An entity primarily responsible for making the resource Charles E. Burchfield Type The nature or genre of the resource Painting Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Minnesota Museum of American Art; Purchased from H.V. Allison Galleries, Inc. Contributor An entity responsible for making contributions to the resource Minnesota Museum of American Art Rights Information about rights held in and over the resource In Copyright Rights Holder A person or organization owning or managing rights over the resource. Charles E. Burchfield Foundation Inc. 2645 Sheridan Dr. Tonawanda, NY 14150 Date Copyrighted Date of copyright. 1917 License A legal document giving official permission to do something with the resource. No License Medium The material or physical carrier of the resource. Watercolor and gouache on paper Source A related resource from which the described resource is derived Purchase, Kurt Berger Fund 90.1.1 American landscape Barn Blue Change of seasons Charles Burchfield Dusk Evening Gold Green Spring Tree Twentieth Century Watercolor White