Browse Items (100 total)

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Jasper Francis Cropsey’s painting of New Hampshire’s White Mountains depicts several Native American hunters stalking deer. In the lower left corner of the work, Cropsey minimized his figures in contrast to the grand mountain vista, bright fall…

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Included in Edward Curtis’ book series, ‘The North American Indian’ (1907-1930), this black and white photograph reveals a Cheyenne man participating in a traditional courting ritual. In the foreground the man is wrapped tightly in white…

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Painted by Frances Greenman, this full-length portrait of Dewey Albinson, former director of the Saint Paul School of Art, reveals the artist at work in a rustic studio. The painting is monotone in color with Albinson standing in front of a green…

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Childe Hassam painted this bust portrait of a woman in broken, textured strokes. She is dressed in a yellow off-the-shoulder top and wears a pearl necklace and her hair in a bun. Her dress and the rosy peach color of her skin contrasts with the light…

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This full-length portrait by Robert Henri depicts a Spanish dressmaker adorned in a yellow apron, black skirt, white shirt and a black shawl.

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This painting by Frederick D. Jones depicts a woman sitting by an open window. To her right, a man serenades her with a harmonica beneath a crescent moon and stars. A church can be seen in the background while a pink rose in a vase and three playing…

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Painted in a "photo realistic" style, this wintry scene of a condemned grain elevator is one of Mike Lynch’s largest Minnesota landscapes. To the right of the central train tracks are the industrial buildings that occupy half of the painting. Snow…

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Joseph Meeker’s landscape of Lake Pepin, a riverine lake on the upper Mississippi, depicts the transitory moment when the setting sun and rising moon share the evening sky. The rippling lake, surrounding bluffs, and line of large cumulous clouds in…

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This painting by Joan Mitchell depicts a cornucopia of horizontal and vertical undulating strokes of red, green, blue and yellow colors. The background is a blended white.

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George Morrison’s abstracted landscape of Lake Superior consists of thick orange, purple, red, and green horizontal lines as well as a diagonal red cloud that floats from the bottom left to the upper right corner. Near the top edge lies…